THE JOURNAL OF REGIONAL HISTORY V.5 No.1
S. Mamontov and V. Telyakovsky as two fields of attraction in the fate of F. Chaliapin1 and the Russian opera theater
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Using meaningful historical material, the article explores the parallels of the creative careers of such great developers of the Russian opera of the late 19th – early 20th centuries as F. Chaliapin, S. Mamontov, and V. Telyakovsky. It was the period of rapid development of innovative stage direction, vocal art, and stage design. The outstanding organizers of theater business S. Mamontov and V. Telyakovsky were at the heart of that creative seething. Being representatives of different social strata (the merchant class and higher nobility), they attracted vivid talents and opened them the way of the private and state opera, respectively. The flourishing of operatic art led to a completely new level of performance. F. Chaliapin and a number of other outstanding representatives of Russian opera began their careers at that time. S. Mamontov’s Private Opera which played a significant role in the development of Russian operatic art was founded in 1896. The repertoire of this theater consisted of works by Rimsky-Korsakov, Mussorgsky, and Borodin. Innovative approaches to the opera performance which was considered as a living synthetic phenomenon integrating the concepts of production and stage design were implemented on the Russian stage for the first time. In its productions, Mamontov’s Private Opera used the principles of realism, which corresponded to the spirit of the works performed. Meanwhile, the development of Russian opera during this period was taking place against the background of complex social relations which aggravated many contradictions both in the life of the society as a whole with its differentiation into metropolitan and provincial life, and in the life on the stage with its specific very mobile interpersonal communications. The article focuses on the careers of S. Mamontov, F. Chaliapin, and V. Telyakovsky. Each of them made an invaluable contribution to the development of Russian opera. From the perspective of the historical culturological approach, the article examines the complicated relationship between the prominent Russian philanthropist and theater director Savva Mamontov, the flexible administrator Vladimir Telyakovsky, and the outstanding opera singer Feodor Chaliapin, and their influence on the formation of the personality of an opera performer and on the development of operatic art in Russia as a whole. The article presents abundant documentary evidence of the peculiarities of their relationship which ultimately determined the vector in the development of the Russian opera theater.
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Zemlyanichenko, M.A. ‘Old gentleman’ Frederiks i imperator Nikolai II [‘Old gentleman’ Fredericks and Emperor Nicholas II]. 2nd ed. Simferopol: Biznes-Inform, 2011. (In Russian)
Asaf'ev, B.V. Ob opere: Izbrannye stat'i [On opera: Selected articles]. Leningrad: Muzyka, 1976. (In Russian)
Asaf'ev, B.V. Russkaya zhivopis'. Mysli i dumy [Russian painting. Thoughts and considerations]. Leningrad; Moscow: Iskusstvo, 1966. (In Russian)
Bogolyubov, N.N. “Telyakovskii” [Telyakovsky]. Teatr i iskusstvo, no. 24 (1917): 415–16. (In Russian)
Bokhanov, A.N. “Savva Mamontov” [Savva Mamontov], Voprosy istorii, no. 11 (1990): 48–67. (In Russian)
Darsky, J. Tsar Feodor: Chaliapin in America. New York: Nova Science Publishers, 2012.
Fedor Ivanovich Shalyapin [Feodor Ivanovich Chaliapin]. 3 vols. Compiled by E.A. Grosheva. 3rd ed. Moscow: Iskusstvo, 1976–1979. (In Russian)
“Fedor Shalyapin” [Feodor Chaliapin], The Slavonic and East European Review, vol. 17, no. 49 (July 1938): 209–11.
Gozenpud, A.A. Russkii opernyi teatr mezhdu dvukh revolyutsii 1905–1917 [Russian opera between two revolutions, 1905–1917]. Leningrad: Muzyka, 1975. (In Russian)
Gozenpud, A.A. Russkii opernyi teatr na rubezhe XIX–XX vekov i Shalyapin. 1890–1904 [Russian opera at the turn of the 19th – 20th centuries and Chaliapin. 1890–1904]. Leningrad: Muzyka, 1974. (In Russian)
Gozenpud, A.A. Russkii opernyi teatr XIX veka [Russian opera of the 19th century]. 3 vols. Leningrad: Muzyka, 1969–1973. (In Russian)
Gus'kova, I.B. “Marius Petipa i Vladimir Telyakovskii” [Marius Petipa and Vladimir Telyakovsky]. Muzykal'naya zhizn', no. 2 (2018): 72–75. (In Russian)
Kiseleva, E.G. Moskovskii khudozhestvennyi kruzhok [Moscow art circle]. Leningrad: Khudozhnik RSFSR, 1979. (In Russian)
Kopshitser, M.I. Savva Mamontov [Savva Mamontov]. Zhizn' v iskusstve [Life in Art]. Moscow: Iskusstvo, 1972. (In Russian)
Kuznetsov, N.I. “S.I. Mamontov – reformator opernogo iskusstva v Rossii” [S.I. Mamontov, a reformer of operatic art in Russia]. Kul'turnoe nasledie Rossii, no. 1 (2016): 16–22. (In Russian)
Mamontov, V.S. Vospominaniya o russkikh khudozhnikakh. Abramtsevskii khudozhestvennyi kruzhok [Memories of Russian Artists. Abramtsevo art circle]. Moscow: Izdatel'stvo Akademii khudozhestv SSSR, 1951. (In Russian)
Morrison, S. “The Semiotics of Symmetry, or Rimsky-Korsakov’s Operatic History Lesson.” Cambridge Opera Journal, vol. 13, no. 3 (November 2001): 261–93.
Nekrasov, M.A. Savva Mamontov. Molodye gody [Savva Mamontov. Youth]. AIRO – Monografiya [AIRO Monograph]. Moscow: AIRO–XXI, 2018. (In Russian)
Nekrasov, M.A., and L.V. Dubinina. Mamontovy. Nachalo dinastii [The Mamontovs. The beginning of the dynasty]. AIRO – Monografiya [AIRO Monograph]. Moscow: AIRO–XXI, 2016. (In Russian)
Ossovskii, A.V. Muzykal'no-kriticheskie stat'i [Musical critiques]. Leningrad: Muzyka, 1971. (In Russian)
Shiryaev, A.V. Vospominaniya. Stat'i. Materialy [Memoirs. Articles. Materials]. Edited by N. Zozulina. St Petersburg: Akademiya russkogo baleta im. A.Ya. Vaganovoi, 2018. (In Russian)
Stasov, V.V. Izbrannye sochineniya [Selected works]. 3 vols. Moscow: Iskusstvo, 1952. (In Russian)
Stasov, V.V. Stat'i o Shalyapine [Articles on Chaliapin]. Moscow: Gosudarstvennoe muzykal'noe izdatel'stvo, 1952. (In Russian)
Telyakovskii, V.A. Dnevniki Direktora Imperatorskikh teatrov. 1898–1917 [Diaries of the Director of the Imperial Theaters. 1898–1917], 6 vols. Edited by M.G. Svetaeva. Moscow: Artist. Rezhisser. Teatr, 1998–2017. (In Russian)
Telyakovskii, V.A. Moi sosluzhivets Shalyapin [My colleague Chaliapin]. St Petersburg: Lan'; Planeta muzyki, 2017. (In Russian)
Telyakovskii, V.A. Vospominaniya [Memoirs]. Leningrad; Moscow: Iskusstvo, 1965. (In Russian)
Val'ts, K.F. Shest'desyat pyat' let v teatre [Sixty-five years in the theater]. 2nd ed. St Petersburg: Planeta muzyki; Lan', 2011. (In Russian)
Volkonskii, S.M. “Iskusstvo i sluzhba. O V.A. Telyakovskom” [Art and service. About V.A. Telyakovsky]. Poslednie novosti, no. 2012, September 25, 1926. (In Russian)
Volkov, S.M. Bol'shoi teatr. Kul'tura i politika. Novaya istoriya [Bolshoi Theatre. Culture and politics. Modern history]. Moscow: AST, 2018. (In Russian)
Yankovskii, M.O. Shalyapin i russkaya opernaya kul'tura [Chaliapin and Russian opera culture]. Leningrad; Moscow: Iskusstvo, 1947. (In Russian)
Yaroslavtseva, N.A., comp. Viktor Mikhailovich Vasnetsov: Pis'ma. Dnevniki. Vospominaniya. Suzhdeniya sovremennikov [Viktor Mikhailovich Vasnetsov: Letters. Diaries. Memoirs. Opinions of contemporaries]. Moscow: Iskusstvo, 1987. (In Russian)
Zemlyanichenko, M.A. ‘Old gentleman’ Frederiks i imperator Nikolai II [‘Old gentleman’ Fredericks and Emperor Nicholas II]. 2nd ed. Simferopol: Biznes-Inform, 2011. (In Russian)
Keywords:
S. Mamontov, F. Chaliapin, V. Telyakovsky, Russian opera theater, Private Opera, Mamontov’s art circle, Imperial Theaters
For citation:
Vakhmistrova, S. “S. Mamontov and V. Telyakovsky as two fields of attraction in the fate of F. Chaliapin and the Russian opera theater.” Historia Provinciae – the Journal of Regional History, vol. 5, no. 1 (2021): 146–82, https://doi.org/10.23859/2587-8344-2021-5-1-4
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